90s chicago alternative bands

He was the drummer for the band Shrimp Boat and on many of Liz Phairs recordings. So cartoony/shticky. We create stuff here, but then it gets appropriated by other people, and they turn it into multimillion-dollar properties. But it was also, the context was not, they wanted the next Nirvana, essentially. I was able to find a manager as a result of that, and that was really helpful, too. He said, Hey, I can finally buy a house. And that was anathema to a lot of Chicagoans, who said, Its not cool, youre not indie. So there was that tension in Chicago all through this, like, How much do we sell out? Openness and curiosity that fed into it. 10 Best 90s Alternative Bands - Ranked by a Music Junkie - Guitar Lobby It's not a venue, really, but it's just a really great place. Joe Shanahan (Metro, Double Door): I was out every single night and seeing band after band, visiting studios, rehearsal spaces, on a daily and certainly weekly basis. People like Albini and Brad and Casey would just say Fuck it, were open for business if you want to come in and record. But the only reason we got two days in there is because L7 had canceled and it was the record that they did with Butch Vig, so we got in. In an effort to find Nirvanas successor/gold mine, major record labels then knocked themselves out in an attempt to sniff out the next big scene. Weird. Bringing to the alternative table the sound of the Manchester derived subgenre, Britpop, Oasis channeled an aggressive Beatle-esque overdrive sound. I really liked that about Seagrass. Youre first class, and the limo picks you up, and youre walking around and famous people are walking around the hallways. But you know, it had been kind of weird up to that point anyway. . You never knew who was going to be there. Seattle and Chicago almost simultaneously had that moment. And then we had just done a tour with Menthol and The Smoking Popes, which was a lot of fun, playing small clubs, and people actually showing up, and we had a blast with those guys. I still talk to Wes. And the Smoking Popes, those guys, I still listen to them all the time. Youd hear a lot of whispering going onand sometimes it wasnt whispering, sometimes it was just very loud protestslike, Who are these guys? And we were rushed into making our second record [As Good As Dead], and at the time, I was like, Ah, fuck, why are you cutting and running on the first record? But they were smart enough to know that it was dead, and if they didnt ram the second record down their throats, it was all going to be dead. May 8, 2017, 6 a.m. CT. From left, Billy Corgan of the Smashing Pumpkins, Liz Phair and Jeff Tweedy of Wilco . That kid can play guitar. We played a lot of shows with Veruca Salt. Brad Wood: I didnt intend to move to Los Angeles in 2000 and build a recording studio in my backyard. I think at that point, Eleventh Dream Day actually was about as big of a band as there was in the city. I used an old sampler that I found in college and used samples that I recorded of a musician in the music department and I was recycling that stuff, pitching it and changing it and putting it on that record. WBEZ brings you fact-based news and information. Suffice it to say here that from those earliest post-Uncle Tupelo gigs on stage at Lounge Ax, the legendary club that Tweedys wife Sue Miller ran with Julia Adams, to the festival-headlining present, the group never has stopped evolving or holding a well-deserved spot among Chicagos greatest. Mind you, this and every installment of Chicago Music History 101 is just one critical fans take on what is most in need of recognition from our long and rich sonic legacy. I just cant stand still and not adjust to economic change.

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